The faculty of Benedictine University's Department of Music is composed of some of the most experienced and finest musicians in the Chicago area. They have performed with ensembles such as the Chicago Symphony, the Minnesota Orchestra, the Sinfonia da Camera, the Canadian Brass Quintet, the Chicago Chamber Orchestra, the Grant Park Symphony and the Lyric Opera of Chicago.
Send Dr. Loubriel an Email
Phone: (630) 829-6325
D.M.A., University of Illinois | 2005
M.M., Northwestern University | 1988
B.M., Northwestern University | 1987
Luis E. Loubriel earned his Doctorate in Trumpet Performance and Literature from the University of Illinois at Urbana-Champaign and his Bachelor's and Master's degrees from Northwestern University where he studied with Vincent Cichowicz and Luther Didrickson. Loubriel also studied privately with Armando Ghitalla, William Scarlett, and Arnold Jacobs.
Loubriel has performed with the Minnesota Orchestra;the Canadian Brass Quintet;the Artie Shaw Orchestra;and the Chicago Chamber Orchestra, among others. He has also performed solo recitals in the United States and in Europe.
He published Lasting Change for Trumpeters with Scholar
Publications in 2005; Back to Basics for Trumpeters in 2009; Brass Singers in 2011; and wrote several
articles with the International Trumpet Guild Journal, Forum on Public
Policy, and the Journal of Integral Theory and Practice.
Advanced Trumpet Plyometrics: Progressive Artistic Etudes and Preparatory Studies (Scholar Publications, 2012).
Brass Singers: The Teaching of Arnold Jacobs (Scholar Publications, 2011)
Regreso a lo básico para trompetistas: La enseñanza de Vincent Cichowicz (Scholar Publications, 2011)
"Integral Music Performance and Pedagogy: A Post-Secondary Performance and Education Model." Journal of Integral Theory and Practice 4.3 (2010): 87-108.
Back to Basics for Trumpeters: The Teaching of Vincent Cichowicz (Scholar Publications, 2009).
"The Marriage of Two Opposing Cultures" Forum on Public Policy: A Journal of the Oxford Round Table (winter 2008).
"Manny Laureano's Quarter Century with the Minnesota Orchestra." International Trumpet Guild Journal (January 2008).
"The Evolution of Arnold Jacobs's Pedagogical Approach." International Trumpet Guild Journal (October 2006).
Lasting Change for Trumpeters (Scholar Publications, 2006).
"Vincent Cichowicz on Arnold Jacobs." International Trumpet Guild Journal (January 2006).
"William Scarlett on Arnold Jacobs." International Trumpet Guild Journal (October 2005).
"The Chicago Trumpet Playing School, 1950-1998." Lecture at the Butler School of Music, University of Texas at Austin (2009).
"Integral Teaching and Pedagogy in Relation to a Community of Practice." Integral Theory Conference, San Francisco, CA (August 2008).
"The Teaching of Vincent Cichowicz." Presentation and panel discussion with William Fielder (Rutgers University), Charles Geyer (Northwestern University), Leonard Candelaria (University of Alabama), and Thomas Rolfs (Boston Symphony Orchestra). International Band and Orchestra Midwest Clinic, Chicago, IL (December 2007).
"The Marriage of Two Opposing Cultures." Benedictine University Faculty Colloquium (fall 2007).
"The Marriage of Two Opposing Cultures." Oxford Round Table, Oxford, UK (summer 2007).
"Creating Lasting Change and the Pedagogical Approach of Arnold Jacobs." Featured lecturer, Carnegie Mellon University, Pittsburgh, PA (winter 2007).
Opening Lecture and Presentation of Lasting Change for Trumpeters. Tenth Annual Bass Fest, Western Illinois University, Macomb, IL (2006).
Send Dr. Legutki an Email
Phone: (630) 829-1995
Ph.D., University of Illinois | 2010
M.M., Illinois State University | 2003
B.M.E., Illinois State University | 2000
Allen R. Legutki received BME and MME degrees from Illinois State University, and the Ph.D. in Music Education from the University of Illinois. Before joining the faculty at Benedictine University, he taught undergraduate instrumental methods courses and a graduate administration and supervision course at the University of Illinois as a Visiting Assistant Professor of Music Education. He has served as Editorial Assistant and Associate Editor of the Bulletin of the Council for Research in Music Education, and now serves on the division council for music teacher education and as state research chair for the Illinois Music Education Association.
At Benedictine, Dr. Legutki teaches several undergraduate methods courses, psychology of music, concert band, and additional music and humanities courses. Also, he serves as the advisor for an active collegiate chapter of the National Association for Music Education (NAfME), which recently received national recognition for chapter growth and professional development projects.
Dr. Legutki’s research interests include music student motivation, teacher and performer identity, and social dynamics within group music activities. He has presented on these and other topics at local, national, and international conferences. His secondary school teaching experience includes middle and high school concert band, jazz ensemble, and music theory in Sullivan, Illinois, where he also served as director of student activities for Sullivan High School.
"Music teachers as musicians and academics: A case study" (Breaux, M. L., Legutki, A. R., & Smith, T. D.). Poster session presented at the 29th International Society for Music Education World Conference, Beijing, China (August 2010).
"Collaborating during doctoral coursework: Providing support and building professional collaborative skills" (Legutki, A. R., Breaux, M. L., & Smith, T. D.). Panel discussion ("Creating, fostering, and maintaining partnerships among junior researchers") at the International Society for Music Education North American Regional Seminar and Summit, Anaheim, CA (March 2010).
"'I got in, but now what?' Preparing students for a successful all-state conference weekend" (Hendricks, K. S., Breaux, M. L., González-Moreno, P. A., Kellum, B. W., King, K. N., Legutki, A. R., Paluck, C. A., & Smith, T. D.). llinois Music Educator 70.1 (2009): 59-64.
"Music teachers' identities as performers: A case study of a benefit recital" (Legutki, A. R., Smith, T. D., & Breaux, M. L.). Poster session presented at the annual conference of the Committee on Institutional Cooperation (CIC), Columbus, OH (October 2009).
"Competence, autonomy, and relatedness: Psychological needs in music education." Poster session presented at the annual conference of the Illinois Music Educators Association, Peoria, IL (January 2009).
"Preparing students for the dynamic social environments of music festival auditions and rehearsals." Panel discussion ("Preparing students for the IMEA all-state and honors orchestra experience") at the Illinois Music Educators Association All-State Conference, Peoria, IL (January 2009).
"Relatedness in secondary school music environments." Poster session presented at the annual conference of the Committee on Institutional Cooperation (CIC), Minneapolis, MN (October 2008).
"Motivation and the music learner." Poster session presented at the 28th International Society for Music Education World Conference, Bologna, Italy. (July 2008).
"Experiencing Krannert Wall-to-Wall: A multi-perspective sociological analysis of a musical experience. Paper presented at the annual Ethnography of the University Initiative Student Conference, Urbana, IL (November 2007).
Phone: (630) 829-6344 | Send Mr. Benham an Email | Office: Scholl 155
Originally from Indiana, Jeremiah Benham has played guitar for over 25 years and has been performing and teaching professionally since 1998. He earned his bachelors and masters degrees in Classical Guitar Performance from DePaul University. While at DePaul, he took additional coursework in composition, sound recording, jazz guitar and electronic music.
Mr. Benham has been invited to perform for such prestigious
organizations as Concordia College, the Chicago Bar Association, Make a
Wish Foundation, ChildServ, Children's Memorial Hospital, the Chicago
Art Institute, the Van Straaten Gallery, and many others. He also has
performed in the orchestras for musical productions including Sunset
Boulevard and Legally Blonde. Additionally, he performs at private
events such as weddings and galas.
Phone: (630) 829-6344 | Send Ms. Bishop an Email | Office: Scholl 155
Dawn Bishop's outstanding professional reputation has established her as a leading freelance harpist in the Chicago area. Since debuting professionally at Chicago's Drake Hotel in 1998, entertaining guests for afternoon tea over the course of a steady ten-year engagement, she has maintained a thriving career performing for weddings, special occasions and corporate function. Her music is also featured at the Morton Arboretum's holiday and tea events throughout the year. A versatile solo and ensemble musician, Bishop performs with numerous ensembles and is a founding member of the Artista Trio. In 2007, she was selected to co-chair the American Harp Society's Institute and National Competition in Chicago. A trained Suzuki harp teacher, Bishop formerly taught at the Sherwood Conservatory of Music and currently maintains a private studio in Glen Ellyn, IL.
Phone: (630) 829-6344 | Send Dr. Browne an Email | Office: Scholl 155
Lisa Browne received a B.A. from Illinois Benedictine College with double majors in Music Theory and Composition and Sacred Music and Organ in 1991, a M.M. in Music History and Literature from Northwestern University in 1993, and a Ph.D. in Musicology from The Ohio State University in 2001. She studied organ and piano with Fr. John Palmer C.S.V., a former pupil of organist/composer Jean Langlais, music theory with Br. Augustine Mallak and John Buccheri, and musicology with composer Alan Stout, Dr. Theodore Karp, Dr. William Porter, Dr, Judith Schwartz, Dr. Margarita Mazo, Dr. Lois Rosow, Dr. Arved Ashby, and Dr. Charles Atkinson and has had the good fortune to take classes with composers George Crumb and Michael Burkhardt, and with conductor Joshua Rifkin.
A musicologist by trade, Dr. Browne has held posts as Staff Assistant at Northwestern University, and as a Graduate Teaching Associate at Ohio State (1993-1996), where she won an award for her work in that position. This was then followed up by a full-time Lecturer position at The Ohio State University at Newark from 1996-2001. During her time in Ohio, she taught many music history and appreciation classes for music majors and non-majors on both the Columbus and Newark campus. These include Music Appreciation, World Music, Women in Music, American Music, Advanced Studies in Bach and Handel, and Introduction to Opera and Musical Theatre. In addition to these courses she also held the post as Accompanist to The Ohio State University Chorus and taught piano to undergraduates. Currently she is employed as Lecturer in Music History and Piano at Benedictine University.
of her scholarly writings and presentations include:
Phone: (630) 829-6344 | Send Mr. Castañeda an Email | Office: Scholl 155
Ricardo Castañeda received his Bachelor's and Master's degrees from Northwestern University, where he was a student of Ray Still, former principal oboist of The Chicago Symphony. Mr. Castañeda is a winner of the Northwestern University Concerto Competition and a recipient of the Wade Fetzer award for excellence in performance. Having made his solo debut with the National Symphony of El Salvador at age fourteen, he has since appeared as soloist in Latin America, Europe and the United States, most recently with the Lake Forest Symphony in performances of the Richard Strauss Concerto for Oboe. A member fo the Chicago Ensemble, Mr. Castañeda is currently principal oboist with the Lake Forest Symphony Orchestra and the Chicago Sinfonietta. He also plays oboe and English Horn for the Chicago production of the musical Wicked. Previous positions include principal oboist with the South Bend Symphony Orchestra, Elgin Symphony Orchestra, English Horn Soloist with the Mexico City Philharmonic and Civic Orchestra of Chicago. He has also played with the Chicago Symphony Orchestra, Lyric Opera Orchestra, Grant Park Symphony, Milwaukee Symphony Orchestra, Chicago Opera Theater and has been principal oboist for orchestras for The Bolshoi Ballet, American Ballet Theater and Joffrey Ballet as well as numerous touring Broadway shows.
Phone: (630) 829-6344 | Send Mr. Fitchuk an Email | Office: Scholl 155
Jue He, a native of Shanghai, China, has been acclaimed for her combination of vigorous and eloquent performances. The Denver Post praised Ms. He for her “first-rate performance” in collaborating with the Aspen Festival Orchestra. She has performed and given lecture recitals both as soloist and chamber musician throughout the United States.
Together with cellist Alisa Horn, she released the Rachmaninoff and Miaskovsky Sonatas for Cello and Piano; and the duo’s performance was broadcast on WQXR-FM in New York City. In addition to playing with Ms. Horn, Ms. He regularly collaborates with members of the Chicago Symphony Orchestra and her performances are frequently broadcast on WFMT in Chicago. Her most recent collaboration was with IMG artist Nina Kotova, touring six cities in China.
Dr. He started her studies at the High School attached to Shanghai Conservatory, studying with Zijie Wu and Dan Shao. She graduated from University of Denver, receiving her Bachelor's degree as a full scholarship recipient. Later on, Dr. He received both her Masters and Doctoral Degrees in Piano Performance and Collaborative Arts from Northwestern University, graduating with top honors. Her teachers include Dr. Sylvia Wang and Dr. Elizabeth Buccheri. She has participated in master classes with Richard Goode, Sergei Babayan, Kevin Keener, Rita Sloan, Angela Chang and Tiro Fontenay.
Phone: (630) 829-6344 | Send Mr. Infusino an Email | Office: Scholl 155
Phone: (630) 829-6333 | Send Br. Augustine an Email | Office: Scholl 105
Brother Augustine Mallak, O.S.B. has taught music theory and piano at Benedictine University since 1984, also giving workshops on Gregorian and English chant. He is the director of music and organist at St. Procopius Abbey, Lisle. Brother Mallak holds a Bachelor of Music degree in Church Music from Benedictine University and a Master of Music in Organ Performance from the American Conservatory of Music (Chicago, IL). He has studied liturgical composition and choir training with William Ferris and organ with David Schrader. He also studied Gregorian Chant at the Abbey of St. Peter (Solesmes, France) with Dom Jean Claire, O.S.B., as well as with Fr. Columba Kelly, O.S.B., at St. Meinrad Archabbey (St. Meinrad, IN) and Fr. Gerard Farrell, O.S.B., at Westminster Choir College (Princeton, NJ). At Westminster he also did work in piano pedagogy, MIDI and choral conducting. Brother Mallak is a member of the American Guild of Organists, National Pastoral Musicians, and the Benedictine Musicians of the Americas.
Phone: (630) 829-6344 | Send Mr. Moulder an Email | Office: Scholl 155
John Moulder is a guitarist and composer whose music has evolved from an assimilation of various musical traditions. His compositions and playing are featured on albums including Awakening (Mo-Tonal Records 1993), Through the Open Door (Igmod/Mo-Tonal Records 1997), Spirit Talk (NAIM, 2003) and Trinity (Origin Records, 2006). He has also played on recent recordings by vocalist Jackie Allen such as The Men in My Life (Blue Note, 2003), Love is Blue (Blue Note, 2004) and Tangled (Blue Note, 2006). He has been a member of the Paul Wertico Trio for twelve years and has performed with artists such as Eddie Harris, Bob Mintzer, Kurt Elling, Paul McCandless, Lyle Mays, Paul Wertico, Gary Burton, Niels Orsted Pederson and Terry Callier. Moulder received his Masters degree in music from Northwestern University.
Phone: (630) 829-6344 | Office: Scholl 105
Father John Palmer holds degrees from Acadia University (Nova Scotia, Canada), The Royal Conservatory of Music (Toronto, Canada), Northwestern University(Evanston, IL) and Trinity College of Music (London, England). He has also studied with Jean Langlais in Paris, France. He studied piano with Felicita Kalejs and Earle Moss. Father Palmer has performed extensively throughout Canada, the United States and Europe, most notably at St. Paul's Cathedral (London, England), St. James Cathedral (Toronto, Canada), and St. Patrick's Cathedral and Columbia University in New York City. He has also performed as part of CBC Radio's "Organists in Recital" series in Canada.
Phone: (630) 829-6344 | Send Ms. VerHoven an Email | Office: Scholl 155
Victoria VerHoven earned a Master of Music degree and a Bachelor of Music degree from Indiana University, both with distinction. She is currently the voice faculty at Benedictine University. Ms. VerHoven has appeared in operatic roles with the Chicago Chamber Opera, Lincoln Opera, Light Opera Works, Bowen Park Opera Theatre, Skylight Opera Theatre, Piccolo Productions, and the Lyric Opera of Chicago. Her operetta/musical theatre credits include M&W Productions, the St. Louis MUNY, Melody Top Theatre, Gilbert & Sullivan Society of Chicago, Peninsula Players, Papai Players and Woodstock Theatre. As a soprano soloist Ms. VerHoven has sung with the Birch Creek Festival Orchestra, Fox Valley Symphony, DuPage Symphony Orchestra, Christ Church Oak Brook Chorus and Orchestra, members of the Milwaukee Symphony and the Naperville Festival Orchestra and Chorus.